Sachaa Jhutha 1970 Indian Hindi action comedy film सच्चा झूठा 1970 भारतीय हिंदी एक्शन कॉमेडी फिल्म

Directed by  D.D. Kashyap

Based on      Tess of the D’Urbervilles

by Thomas Hardy

Starring :Dharmendra,Nutan,Rehman

Music by      Madan Mohan

Country        India

Language     Hindi

Baground

---

Dulhan Ek Raat Ki  is a 1967  featuring Dharmendra, Nutan and Rehman, a similar triplet who did Dil ne Phir Yaad Kiya. The film depends on the Thomas Strong novel Tess of the d'Urbervilles.The melodies from this film became hits. "Sapnon Mein Agar Simple", "Ek Haseen Shaam Ko Dil Mera Kho Gaya", "Maine Rang Li Aaj Chunariya" and "Kai Racket Se Jee Hai Bekal" are evergreen numbers.

Storyline

---

 Ashok (Dharmendra) and Nirmala (Nutan) meet on a rail line stage in Dehradun, and afterward thusly around too, and are drawn to one another. Nirmala finds that her mom (Leela Chitnis) has sold their home to pay for her schooling, so she finds a new line of work as medical caretaker to a rich visually impaired lady (Mumtaz Begum). This lady has a child Ranjit (Rehman) who is likewise exceptionally drawn to Nirmala. She knows it, however gives her all to avoid him as much as possible. Then, at that point, Ashok finds a new line of work away. At the point when he tells Nirmala, he gives her a wristband and vows to return for her soon. However, after a party at her boss' home — contrary to what she would usually prefer — she acknowledges a ride with Ranjit and he assaults her. The arm band from Ashok is lost and she is left on the virus ground. At the point when she figures out that she is pregnant, her mom removes her from town, where she brings forth a still-conceived youngster. In the interim, Ashok's dad has organized his marriage with the little girl of a partner. Ashok's companion Bansi (Johnny Walker) disrupts the marriage when the young lady drops by (in an exceptionally entertaining scene) by hinting that Ashok is a deep rooted player. This angers his dad, and when Ashok says that he has guaranteed another young lady he would wed her, his dad counters that he has guaranteed his companion. At his reaction, Ashok's dad gets up and leaves without another word. At the point when Nirmala and her mom get back, Nirmala gets a letter from two of her school companions. They are working in Mussoorie at a school, and figure Nirmala can find a new line of work showing there as well. She goes there and lands the position at the school. Her companions ask where she has been, and tell her that Ashok went to her home searching for her multiple times. Ashok is living in a camp in Mussoorie, filling in as a designer. The young ladies and Bansi scheme to rejoin them. Ashok is thrilled to see Nirmala, obviously she has changed. He requests that she wed him; she denies from the start, then, at that point, says that she will offer him her response in a week and hurls herself entirely into his arms, sobbing. After some thought, she thinks of him a letter making sense of everything that has occurred in the previous year, leaves it at his camp, and returns home to her mom. Her mom reprimands her for letting him know everything, except she says that she was unable to live with him in clearly false. At the point when he appears at her entryway on Sunday, and says that she owes him a response, Nirmala believes that he has perused her letter and excused her, and she concurs cheerfully to wed him. Bansi camouflages himself as a soothsayer and goes to Ashok's folks, wanting to fool them into consenting to come for his wedding. The stratagem fizzles, nonetheless, and Ashok's dad rejects. Ashok and Nirmala get hitched and go to remain in a lodging on their wedding night.

As the love birds are going to hit the sack, the inn owner thumps on the entryway and hands Ashok a letter from Bansi. It's about their new house and Nirmala needs to understand it; yet it likewise contains her letter, which Bansi found away from plain view when he was getting together the camp. Nirmala is astonished, yet gives the letter to Ashok. He understands it and leaves her, staggered. At the point when she follows him and argues honesty, he concurs that she is guiltless yet that she is presently not similar Nirmala he loved and distanced his dad for; he asks her for what reason she didn't leave the occupation when she thought Ranjit's goals. She leaves and returns home to her mom, trusting that he will come and get her — yet he doesn't. Back at Ashok's, Bansi defies him. As weeks pass into months, Nirmala chooses to leave her mom's since the neighbors are blabbering about her drawn out stay. She goes to Nainital, where she finds a new line of work as a tutor to a man with seven kids. She partakes in the kids and her new manager genuinely takes care of her, however she still yearns for Ashok. Her new manager's brother by marriage and niece show up for a little while, and Nirmala before long understands that they are Ashok's dad and sister. Ashok's sister Sudha becomes friends with Nirmala, not realizing that she is her bhabhi. Then one day as Nirmala is out strolling, she hears a blessed man over the amplifiers outside a mosque. His words move her, and she goes in to meet him and get his approval. It's Ranjit! She escapes, however he follows her home and tells her that he is changed; that after his mom passed on (she saw very well what sort of man he was) he meandered just a little, and tracked down God, and atoned for every one of his wrongdoings. Nirmala tells him sharply that she doesn't trust him and advises him to leave. Once more, a couple of days after the fact he shows up. He has changed himself again from a master to Ranjit. He tells her that in the wake of seeing her, he was unable to quit thinking about her, and that she is correct — his wrongdoings are excessively perfect for him to take care of business of God. He needs to live with her and deal with her. She irately dismisses him, however he continues to visit. Once more, back at his home, Ashok's dad has become extremely sick, and calls for Ashok to come see him. At the house, Ashok sees a photo of Nirmala, which his sister had carried with her from Nainital as a keepsake of their fellowship. He tells her that Nirmala is his significant other and makes sense of why they are not together. His sister and father persuade him to go get her and bring her home. He embarks for Nainital to track down Nirmala. Sudha messages Nirmala about this, delightedly she anticipates for him. However, Ashok leaves without meeting Nirmala. Nirmala hears Ashok proceeding to emerge from the house and finds Ranjit, who had whisked Ashok away by misleading him that Nirmala is currently cheerfully residing with him as he fanatically adores her. Nirmala, when she is going to pass on to stop Ashok, she is come by Ranjit, who says that she has a place with him perpetually, not Ashok, rankled Nirmala wounds Ranjit to death for demolishing her life and isolating her from Ashok. As she passes on to stop Ashok, her neighbor observers the homicide. Nirmala stops Ashok and comes clean with him about Ranjit and admits her wrongdoing. Ashok acknowledges Nirmala and understands his error for not confiding in her. He then understands that the police are after Nirmala, and guarantees her that he will assume the fault on himself, yet Nirmala declines by saying that wrongdoing can't be tolerated, and she will give up to police in the first part of the day and requests that Ashok go through one final night with her together before police separate them. Then, at that point, Ashok and Nirmala go through their last evening together and perfect their marriage. The film closes as sunrise breaks.

Starcasting

---

•  Dharmendra
• Nutan
• Rehman
• Leela Chitnis
• Mumtaz Begum
• Johnny Walker

music by: Madan Mohan  and lyries by: Raja Mehdi Ali Khan

 

song ♫	Singer 🎤
"Kai Din Se Ji Hai Bekal"	Lata Mangeshkar
"Ek Haseen Sham Ko Dil Mera Kho Gaya"	Lata Mangeshkar
"Hamaar Kahaa Maano Raaja"	Asha Bhosle, Usha Mangeshkar
"Kisi Ka Kuchh Kho Gaya Hai"	Mohammed Rafi
"Zindagi Dulhan Hai Ek Raat Ki"	Bhupinder Singh
"Ghayal Hirni Van Van Bhatke"	Bhupinder Singh
"Aapne Apna Banaaya Meharbaani Aapki"	Mahendra Kapoor, Lata Mangeshkar
"Kabhi Ai Haqiqat-E-Muntazar, Nazar Aa Libaas"Maine Rang Lee Aaj Chunariya"	Lata Mangeshkar
"Sapnon Mein Agar Mere, Tum Aao To So Jau	Lata Mangeshkar