Directed by B. R. Chopra...Written by Akhtar-Ul-Iman
Produced
by B. R. Chopra
Starring Raaj Kumar,Sunil Dutt,Vimi,Mumtaz
Cinematography M. N. Malhotra
Edited
by Pran Mehra
Music
by Ravi
Distributed by B. R. Films
Baground
Hamraaz is a 1967 tension spine chiller movie, created and coordinated by B. R. Chopra and composed by Akhtar-Ul-Iman. It stars Raaj Kumar, Sunil Dutt, Vimi, Mumtaz in lead jobs, with Balraj Sahni, Madan Puri, Jeevan, Iftekhar, Sarika in other significant jobs. The film's music is by Ravi, while the verses were written by Sahir Ludhianvi. The film won the Public Film Grant for Best Element Film in Hindi
Storyline
During a christmas celebration in Mumbai, Meena meets Mahender(Rajesh's companion) and Mahender begins coercing Meena that he has a few letters which she had kept in touch with Rajesh. He continues to call Meena to visit him in inn. Before long, Kumar sees that Meena doesn't go with him to the stage any more, and reasons herself on the guise of being sick. He finds hints that propose that she is meeting another person secretly. Dubious, Kumar comes up with the rationalization of going to Pune, and on second thought wears a facial hair growth and goes by the name of S.N. Sinha. He looks into a lodging, and composes his name in the inn register. That evening, he gets back to his home, to find the entryway open, and before he can examine anything, he hears a gunfire. Kumar runs into the room and tracks down Meena dead, shot in her chest.
Maddened, he chooses to call the police headquarters, yet understands that he will be ensnared in the homicide - his fingerprints are on the weapon, he is in mask, and he is close to the body. Kumar gets back to the inn all things considered, and smokes a great deal of cigarettes. The case is appointed to Monitor Ashok, and the following day, when Kumar "returns" to Bombay, Ashok sees that Kumar realizes which room the body is in, without being told by anybody.
The coconut dealer close to Kumar's home says that he saw a whiskery man in the space the evening of the homicide, and the proprietor of the lodging which Kumar had looked into calls the police, saying that a hairy man had looked into his inn. The cigarettes that Kumar had smoked are recuperated, and gave over to Ashok. At the point when he visits Kumar at his home the following day, Kumar offers him similar brand of cigarette, awakening his doubt. Before long, more pieces of information surface, pointing at Kumar as the executioner.
In an attack of scramble, Kumar chooses to take off from the developing doubt of Examiner Ashok. His companion, attorney Jagmohan, says that he will presently most certainly be involved as the killer of Meena. Frantic, he tracks down a piece of information about the thought executioner from his home - a key with room number of an inn. Kumar visits the room as a last endeavor to clear things before he is gotten. There, he meets Chief Rajesh who quiets him down and lets him know that not a single one of them is the genuine executioner. He lets Kumar know that he is his significant other's most memorable spouse, who was probably killed on the front, and how he maintained that her should obtain their ill-conceived youngster, Sarika, on the grounds that she wouldn't have the option to bring up a kid conceived illegitimately.
Skipper Rajesh lets Kumar know that whoever the executioner is, he was seen by Sarika on the grounds that she was available in the room where Meena was killed while both mother and little girl were playing and their exercises being recorded by a camcorder. Together, they attempt to track down the young lady, in the end following her to Ooty. Obscure to them, Controller Ashok is following right after them. Before long, the two of them are captured by him with the assistance of Ooty Police. Kumar makes sense of his case, and they attempt to track down Sarika, and she is at the place of a man called Tejpal, who attempts to take off from that point. Shabnam and Jagmohan show up with the tape of the night that Meena was killed. It is uncovered that Tejpal is the executioner, however he rapidly takes out a firearm and gets Sarika, taking steps to kill her should any of them attempt to stop him.
Commander Rajesh figures out how to save Sarika from Tejpal, yet he is shot two times by the last option. Presently allowed to go after him, Ashok pulls his firearm and fires Tejpal, and Kumar surges over to Chief Rajesh. Tejpal is killed by Ashok and Sarika is protected. Commander Rajesh passes on, and toward the finish of the film, Kumar lets Shabnam know that he can't work - Meena was his main motivation. Shabnam shows him Sarika sitting in Meena's seat, and he embraces Shabnam.
Starcasting
- Mumtaz
- Balraj Sahni
- Madan Puri
- Jeevan
- Iftekhar
- Anwar Hussain
- Manmohan Krishna
- Achala Sachdev
- Urmila Bhatt
- Sarika
- Mubarak
- Keshav Rana
- Nana Palsikar
- Nazir Kashmiri
- Helen
The music was composed by Ravi, and the lyrics by Sahir Ludhianvi.
|
Song |
Singer |
|
"Neele Gagan Ke Tale" |
Mahendra Kapoor |
|
"Na Munh Chhupake Jeeo" |
Mahendra Kapoor |
|
"Tum Agar Saath Dene Ka" |
Mahendra Kapoor |
|
"Kisi Patthar Ki Murat Se" |
Mahendra Kapoor |
|
"Tu Husn Hai, Main Ishq Hoon, Tu Mujh
Mein Hai, Main Tujh Mein Hoon" |
Mahendra Kapoor, Asha Bhosle |
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