Directed by Mohan
Segal
Written
by R.A Baqueri
Produced
by Rajendra Bhatia
Starring Shashi Kapoor,Asha Parekh,Om Prakash,Dilip
Raj,Padma Rani
Cinematography K. H. Kapadia
Edited
by Pratap Dave
Music
by Shankar Jaikishan
Production:company
Kiron Productions
Release
date 1968
Country India
Language Hindi
Baground
Kanyadaan is a 1968 Hindi social romantic drama film directed by Mohan Sehgal. The film was produced by Rajendra Bhatia for Kiron Productions. The story and screenplay was written by R.A Baqueri with dialogue by Sarshar Sailani and director of photography was K. H. Kapadia.The music direction was by Shankar Jaikishan and lyrics by Hasrat Jaipuri and Gopaldas Neeraj. The film stars Shashi Kapoor, Asha Parekh, Om Prakash, Achala Sachdev, Dilip Raj, Sayeeda Khan and Padma Rani.
Storyline
The film begins with a hockey match between the young ladies' group Bulbuls, and the young men's group Legends. The young ladies win by 2 objectives to one. Amar (Dileep Raj) from the young men's group and Lata (Sayeeda Khan) from the Bulbul group are drawn to one another. Amar Kumar (Shashi Kapoor) is a writer, and companions with Amar. Individuals frequently get mistaken for their names as their names are something similar. At the point when Kumar learns about his companion's affection, he steps up and get them hitched and furthermore guarantees Lata's dad that he would deal with her as she has no parents in law to do as such. Kumar, while heading to a town on business has a vehicle breakdown and meets Rekha (Asha Parekh), a town young lady. She welcomes him to remain at their home as he has no other spot to go and Kumar acknowledges it. Both Rekha and Kumar are drawn to one another.
At the point when he begins back, he intentionally stops at her town. Persuaded about Rekha's affections for him, he moves toward her mom to ask her hand in marriage. In any case, when Rekha's mom (Achala Sachdev) uncovers that Rekha was at that point wedded to a person named Amar in her experience growing up and even Rekha was negligent of that till now, he gets stunned. She provides him with a photograph of the wedding and requests that he assist her with tracking down Amar, as she was unable to find out where he resides now. Kumar discreetly leaves. Rekha, being a young lady who regards customs deeply, acknowledges her destiny and attempts to fail to remember Kumar. In any case, When Kumar returns later with a youth photograph of himself alongside his folks and his driving permit expressing that his complete name is Amar Kumar, she feels exceptionally cheerful and leaves with him as his better half.
Nonetheless, Kumar later uncovers reality that the first Amar is as of now hitched to Lata and she shouldn't upset their serene conjugal life. He tells her that he adores her definitely and requests that she acknowledge reality and wed him. Be that as it may, Rekha, miserable and incensed goes out to commit suicide, nearly getting cut somewhere around the other Amar's vehicle. Amar and Lata on being informed that she has nobody and no place to go, feeling that her significant other may have tossed her out of his home, offer her sanctuary. At the point when Rekha understands that this is genuine Amar and that he is joyfully hitched, doesn't uncover reality. Kumar feels miserable and discouraged and goes to drinking. In the mean time, strains begin to work in Amar's home because of the over commonality of the guiltless Rekha in family matters. Afterward, when Lata learns about her significant other's kid marriage and is enraged. Rekha goes out with the aim to take her life. In any case, her mom who has come to know about her conditions and has shown up from the town persuades Rekha that the marriage that has occurred in their experience growing up, without their assent was not a marriage by any stretch of the imagination, and a genuine kanyadan (offering lady of the hour in marriage by her folks or gatekeepers) ought to happen when guardians offer their grown-up little girl with her assent. Rekha finally acknowledges Kumar as a spouse. All's well that finishes well.
Starcasting
- Shashi Kapoor
- Asha Parekh
- Om Prakash
- Dilip Raj
- Sayeeda Khan
- Achala Sachdev
- Madhumati
- Sabita Chatterjee
- Laxmi Chhaya
- Padma Rani
- Tun Tun
- Nazir Kashmiri
- Indira Bansal
- Chandrashekhar
|
Song |
Singer |
|
"Likhe Jo Khat
Tujhe" |
Mohammed Rafi |
|
"Mil Gaye Mil Gaye Aaj
Mere Sanam" |
Lata Mangeshkar |
|
"Sunday Ko Pyar Hua,
Monday Ko Ikrar Hua" |
Asha Bhosle, Mahendra Kapoor |
|
"Parai Hu Parai Meri
Aarzu Na Kar" |
Lata Mangeshkar |
|
"Phoolo Ki Mahak Lehro Ki
Lachak" |
Mahendra Kapoor |
|
"Tum Nahi Bhulte Jahan
Jayoon" |
Mohammed Rafi |
|
"Meri Zindagi Mein
Aate" |
Mohammed Rafi |
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