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Directed by |
Devendra Goel |
|
Written by |
Mushtaq Jalili |
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Produced by |
Devendra Goel |
|
Starring  |
Balraj Sahni,Sanjay
Khan,Sadhana  |
|
Cinematography |
Keki Mistry |
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Edited by |
R. V. Shrikhande |
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Music by |
Ravi |
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Release date |
7 May 1969 |
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Country |
India,Language hindi |
Ek Phool Do Mali is a 1969 Indian Hindi film directed by Devendra Goel. The film is based on the book Do Kadam Aage by Sampat Lal Purohit.The film was a Blockbuster and second highest grossing movie of 1969 along with Aradhana & Do Raaste. Balraj Sahni earned a Filmfare nomination as Best Supporting Actor. The story was miscredited to Mushtaq Jalili, and is said to have been an inspired adaptation of the 1961 Hollywood classic Fanny, which is debated. The film was remade in Turkish as Evlat in
Storyline
Somna is an unfortunate lady living with her bereaved mother, Leela, in the bumpy district of India and Nepal. She earns enough to pay the bills dealing with the apple homestead of the rich single man, Kailash Nath Kaushal. Kaushal likewise runs a mountaineering school where Amar Kumar is one of his understudies. Somna and Amar meet, become hopelessly enamored and choose to get hitched not long after Amar gets back from a climbing undertaking. A couple of days after the fact, following a torrential slide, they get the news that Amar and different climbers have been killed.
A crushed Somna is attacked by Shamsher Singh. Kailash acts the hero and offers to wed her when he figures out that she is pregnant. They get hitched and Somna brings forth a kid, Bobby. Shamsher is captured and shipped off prison for quite a long time. Kailash, who can't have youngsters after a mishap, is excited to be a dad. He loves and is indistinguishable from Bobby. After five years, Somna and Kailash, while observing Bobby's sixth birthday celebration, get a shock when Amar appears at the party.
Bobby adores his dad (Kailash) yet can't resist the urge to turn out to be close with Amar, his organic dad, much to Somna and Kailash's disappointment. Somna precludes Bobby from meeting Amar, yet Kailash upholds him and lets Somna know all he needs is to see Bobby blissful. Somna stands up to Amar and admits that she doesn't believe he should visit any longer. Amar is bothered by this and commitments to quit seeing Bobby.
During a stroll with Kailash, Bobby sees Amar and attempts to get up to speed to him, yet winds up in an explosive zone, harming himself all the while. At the clinic, the specialist expresses that his condition is terrible as he has lost a great deal of blood. Kailash offers to give blood, yet his sort doesn't coordinate. Amar then, at that point, offers his blood, which saves Bobby's life. Kailash is happy that Bobby is alive, yet can't move past the feeling of dread toward Amar removing him.
Amar sorts out current realities and understands that Bobby is for sure his child. Similarly as Kailash dreaded, he comes to remove him while Bobby is oblivious. Somna stops him and clarifies for him that Bobby isn't his child nor her child however Kailash's child. She clarifies for him that he saved her respect by wedding her regardless of knowing reality and how he adored Bobby more than any other person and raised him like his own child. Kailash hears the entire discussion furtively. Amar, disheartened by this, second thoughts his activities and chooses to allow Kailash to keep Bobby and leaves them for eternity.
Kailash requests that Somna reunite with Amar and take Bobby with them, however she denies. Similarly as Amar leaves the following day, sadly, Shamsher gets back to the house and captures Bobby popular for a payoff as well as Somna. Nonetheless, Bobby gets away from Shamsher's grip and spots Amar somewhere far off. He pursues Amar, however Shamsher gets hold of him again and Kailash and Somna step in to protect him. Kailash battles Shamsher, however is in the end beaten. Shamsher tosses Bobby of a precipice and pursues Somna.
At the point when everything appears to be lost, Amar moves toward having seen the happenings from the mountain and battles Shamsher. Bobby is demonstrated to be alive gripping on to a part of the precipice side. Amar thumps Shamsher to the ground and slips utilizing a rope, to protect Bobby as the branch snaps. Shamsher returns and attempts to cut the rope. He effectively overwhelms Somna until Kailash mediates. In spite of all the whipping Shamsher provides for Kailash, he won't relinquish the rope. Angrily, Shamsher runs towards him wanting to handle him to the ground, yet Kailash utilizes the remainder of his solidarity to dismiss him from the precipice side where Shamsher falls to his demise; the rope then cuts his hands further and turns out to be excessively tricky for him to hold any more, and gets beyond his control — yet Amar has previously arrived at the highest point of the bluff and moves back finished.
Amar moves to somewhere safe and secure with Bobby. Alongside Somna, he attempts to help Kailash, however it is past the point of no return for him. Kailash, in his last couple of seconds, expresses that he is glad that Bobby is alive and advises Amar to take great consideration of him. Every one of the three grieve of the deficiency of Kailash.
A couple of years after the fact, Amar and Somna are demonstrated to be together and are conceding Bobby to the school in Uhuru. The superintendent requests Bobby's last name and expects it to be Amar. Amar states that isn't correct and announces him to be Bobby Kailash, the child of Kailash Nath Kaushal. The film closes with every one of the three investigating the skyline.
Starcasting
- Balraj Sahni
- Sanjay Khan
- Sadhana Shivdasani
- Durga Khote
- David
- Brahmachari
- Shabnam
- Bobby
- Manorama
- Shyam Kumar
- Praveen Paul
- Brahm Bhardwaj
Music by Ravi & Lyrics are penned by Prem Dhawan, Rajkavi Inderjeet Singh Tulsi
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Title |
Sunger(s) |
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"Kismat Ke Khel
Nirale" |
Ravi |
|
"Tujhe Suraj
Kahun Ya Chanda" |
Manna Dey |
|
"O Nanhe Se
Farishte" |
Mohammed Rafi |
|
"Yeh Parda Hata
Do, Zara Mukhda Dikha Do" |
Mohammed Rafi, Asha Bhosle |
|
"Auladwalon
Phoolo Phalo" |
Mohammed Rafi, Asha
Bhosle |
|
"Chal Chal Re
Naujawaan" |
Mohammed Rafi, Asha
Bhosle |
|
"Saiyan Le Gayi
Jiya" |
Asha Bhosle |
|
"Sajna Sajna O
Sajna" |
Asha Bhosle |
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