Shakti Kapoor became the villain by doing the most rape scenes, the censor board was also surprised to see this one film.सबसे ज्यादा रेप सीन कर शक्ति कपूर बने थे विलेन, इस एक फिल्म को देखकर सेंसर बोर्ड भी रह गया था हैरान

Baground

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Patthar Ke Sanam is a 1967 Created by the Nadiadwala, the movie is coordinated by Raja Nawathe. It stars Manoj Kumar, Waheeda Rehman, Mumtaz, Pran, Mehmood, Lalita Pawar and Aruna Irani. The film highlights many hit melodies of the time, created by the amazing Laxmikant Pyarelal and veteran lyricist Majrooh Sultanpuri, for example, the always tormenting Patthar Ke Sanam, delivered in the voice of Mohammad Rafi. The film stood 10th in the Movies Top Ten Rundown of 1967

Storyline

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The story spins around two companions, Meena and Taruna. Meena carries on with a well off way of life alongside her bereaved father, Thakur, in a modest community in India. Taruna is her right hand as well as her dearest companion. Meena, while coming to her town from town, meets Rajesh, who prods her. At the point when Meena's dad enlists another administrator, she discovers that he is a similar individual she met on the train. She, alongside Taruna, attempt to prod Rajesh by claiming to be enamored with him. He finds out and imagines that he has gone gaga for both. Thus, the two ladies wind up experiencing passionate feelings for him seriously, and Thakur is prepared to allow Meena to marry him. Meena clarifies that she needs Rajesh for her and reminds Taruna that she had been locked in to their supervisor, Lala Bhagatram, when Taruna was a youngster. Lala Bhagatram is an exceptionally terrible man, who continues to remind Taruna in open that he will wed according to the youth guarantee. Then Rajesh is attacked by certain men and his mom, Shanti, takes care of him. At the point when Thakur sees her, he recalls that he had killed her significant other for all the abundance. Shanti bothers with confidential, that Meena is really her little girl and Rajesh is Thakur's child. She believes that them should get hitched so she can be the proprietor of all the abundance once more. Shanti asks Taruna to disappear from Rajesh or probably her arrangement will come up short. Taruna concurs and imagines she doesn't cherish Rajesh. Be that as it may, Rajesh just loves Taruna and is sincerely stung. Taruna can't take this any longer and chooses to commit suicide. Haria - a puerile simple-minded individual uncovers that she isn't dead, yet Lala Bhagatram has kept her in bondage. Rajesh proceeds to battle every one of the thugs including Lala Bhagatram, yet is beaten by them. Gauri and Taruna are moved elsewhere with somebody watching them continually. Gauri's tied hands are liberated by Taruna by keenly keeping away from the full concentrations eyes of the hooligans. Gauri hops from the window and illuminates Rajesh. Rajesh proceeds to free Taruna. In this battling, Meena bites the dust, Lala Bhagatram is killed by Thakur and Thakur is taken in authority. Shanti needs to leave, however Rajesh and Taruna demand that she stay with them. Haria and Gauri wed too.

Starcasting

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• Waheeda Rehman 

• Manoj Kumar 

• Mumtaz

• Mehmood 

• Lalita Pawar

• Ramayan Tiwari 

• Raj Mehra 

• Pran

• Mumtaz Begum 

• Jankidas 

• N.K. Misra 

• Aruna Irani 

• Uma Dutt 

• Maqbool 

music by: Laxmikant–Pyarelal and lyrics by Majrooh Sultanpuri.

No.	Title	Singer(s)
1.	"Patthar Ke Sanam"	Mohammad Rafi
2.	"Koi Nahin Hai"	Lata Mangeshkar
3.	"Aye Dushman-e-Jaan"	Asha Bhosle
4.	"Bataoon Kya Lana"	Lata Mangeshkar
5.	"Mehboob Mere"	Lata Mangeshkar & Mukesh
6.	"Tauba Yeh Matwali Chaal"	Mukesh
7.	"Dushman Hai Zamana"	Mohammed Rafi, Mehmood & Chorus