Satyakam is a 1969 Indian drama film सत्यकाम 1969 की भारतीय ड्रामा फिल्म है

kapdi February 13, 2023

Satyakam

Directed by Hrishikesh Mukherjee

Screenplay by Bimal Dutta

Story by Narayan Sanyal

Produced by Sher Jeng Singh Punchee

Starring Dharmendra,Ashok Kumar,Sharmila Tagore,Sanjeev Kumar

Narrated by Sanjeev Kumar

Cinematography Jaywant Pathare

Edited by Das Dhaimade

Music by Laxmikant Pyarelal

Distributed by 175 minutes

Release date 4 April 1969

Country India,Language Hindi

Satyakam is a 1969 Indian drama film directed by Hrishikesh Mukherjee, based on a Bengali novel of the same name by Narayan Sanyal.The film stars Dharmendra, Sharmila Tagore, Sanjeev Kumar, and Ashok Kumar. The film was scored by Laxmikant Pyarelal. The name of the film is taken from ancient Hindu saint Satyakama Jabala.

After the success of Anupama (1966), Hrishikesh Mukherjee got together the same team of actors: Dharmendra, Sharmila Tagore, David; dialogue writer: Rajinder Singh Bedi; lyricist: Kaifi Azmi and cameraman: Jaywant Pathare.

The character played by Dharmendra is considered to be among the finest in Indian Cinema.

It won the 1971 Filmfare Best Dialogue Award for Rajinder Singh Bedi. The movie also won National Film Award For Best Feature Film in Hindi.The film was remade in Tamil as Punnagai (1971) by K. Balachander.

Storyline

Satyapriya Acharya (Dharmendra) is a man of standards and truth. His perspectives and lifestyle were directed by his parsimonious granddad "Daddaji" Satyasharan Acharya (Ashok Kumar). Furnished with a science certification, Satyapriya branches out to understand his fantasies about building another India, however experiences characters who share little of his beliefs. During his most memorable task, he meets Ranjana (Sharmila Tagore), who is going to be physically taken advantage of by a defiling ruler, his boss. Completely mindful that Ranjana loves him, Satyapriya delays in safeguarding her and lets her become prey of the ethically bad sovereign. The occurrence shakes the ethical groundwork of Satyapriya, who has deceived his inner voice and sentiments. To change the mounting responsibility, he weds Ranjana, however their lives are the at absolutely no point ever same in the future. She bears a youngster whose paternity is rarely obviously settled. Afterward, Satyapriya moves starting with one work then onto the next as he can't make exploitative trade offs. Satyapriya and Ranjana additionally have their portion of conjugal contentions. She attempts to have a typical existence and yearns to fail to remember her past. Satyapriya is continually helped to remember his disappointment and seems to compensate for it by expanding unbending nature about applying his standards, all things considered.

Battling expertly, he is struck by a serious and lethal disease. Eventually, hospitalized and unfit to try and speak, Satyapriya is sought after by a deceitful worker for hire looking for endorsement for a seriously executed common task, in lieu of which the project worker would give him significant total that would deal with Satyapriya's better half Ranjana and their kid after his demise. Satyapriya has no means to get his family's future and in the absolute first split the difference of his life, Satyapriya surrenders the marked endorsement papers to his better half. In spite of the fact that Ranjana had experienced numerous difficulties and isn't altogether content with Satyapriya's redder-than-rose way to deal with life, she would rather not see him waver toward the end phase of his life. She destroys the reports and finds him grinning at her. Albeit unfit to speak, Satyapriya is plainly glad that he had the option to switch somewhere around one individual over completely to his optimist perspective.

On learning of Satyapriya's condition, his granddad "Daddaji" comes visiting. He had before walked out on Satyapriya for wedding a lady without his agree and as indicated by him, of sketchy foundation. Knowledgeable in strict way of thinking, the granddad offers useful tidbits to Satyapriya. He lets Satyapriya know that monitoring thoughts like fleetingness of common life and the bigger heavenly truth, Satyaprakash is ethically prepared to confront demise certainly. After his passing, the granddad says that he would play out the last customs due to the sketchy paternity of his grandson. At that point Satyapriya and Ranjana's youngster openly talks reality saying the genuine justification behind his not playing out the last customs is on the grounds that he isn't the organic child. The granddad is lowered by the way that he who depended on constancy to truth no matter what the results, couldn't rehearse it besides in confinement of his Gurukula, where he was not being tried. However his granddaughter-in-regulation could impart this issue to her kid and the kid could talk about it openly, despite the fact that it was awkward and would convert into insults and embarrassment from rest of the world. The granddad openly recognizes his downfalls that despite the fact that he has gone through his entire time on earth concentrating on strict sacred writings and philosophical books as well as rehearsing numerous ceremonies, he actually had a lot to find out about the idea of truth. He hydrates from the hands of the child and relinquishes his biases. The film closes with him leaving for home with Ranjana and her kid.

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