Shakti Kapoor became the villain by doing the most rape scenes, the censor board was also surprised to see this one film.सबसे ज्यादा रेप सीन कर शक्ति कपूर बने थे विलेन, इस एक फिल्म को देखकर सेंसर बोर्ड भी रह गया था हैरान

Born	Uma Kashyap 24 February 1927 (age 95) Lahore, Punjab, British India (present-day Punjab, Pakistan)
Occupation	Actress
Years active	1946–present

Kamini Kaushal   

Kamini Kaushal (brought into the world as Uma Kashyap, 24 February 1927) is an Indian entertainer who worked in Hindi movies and TV. She is noted for her parts in movies like Neecha Nagar (1946), which won the 1946 Palme d'Or (Brilliant Palm) at Cannes Film Celebration and Biraj Bahu (1955), which won her the Filmfare Grant for Best Entertainer in 1955.

Vocation

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Kamini had been a phase entertainer in Delhi during her school days from 1942 to 1945. She functioned as a radio youngster craftsman with the name "Uma" in Lahore before the Parcel, from 1937 to 1940.She said in a meeting regarding whether she needed to be an entertainer in her experience growing up: "I come from an exceptionally scholarly family. My father, S. R. Kashyap, was a teacher at Government School, Lahore and the Leader of the Science Congress. He'd expounded on 50 books on plant science. Growing up, our family focused more on information, however he never hindered us from doing anything we needed for however long it was positive."[6] However she had no fantasies about joining the entertainment world while being in school, she was an enthusiast of entertainer Ashok Kumar. When she said in a meeting: "We were to perform for the conflict alleviation reserve in school. Ashok Kumar and Leela Chitins were the main visitors. After the show we went to meet him. I considered having a good time. As he stood conversing with the understudies, I pulled his hair from behind."

Kamini Kaushal in 1946 Hindi film Pugree

Chetan Anand gave her the job of the main courageous woman in his film Neecha Nagar. This film was finished by her before marriage and delivered in 1946. She cited in a meeting, when asked about for what good reason her name was changed from Uma to Kamini: "Chetan's significant other Uma Anand was additionally important for the film. My name likewise being Uma, he needed an alternate name for me. I requested that he give me a name starting with 'K' to coordinate with the names of my little girls Kumkum and Kavita."She won an honor at the Montreal Film Celebration for her exhibition in her presentation film.She cited in a meeting about how she got her introduction film: "Ravi Shankar was new, he had not done music for anyone. It was Zohra Segal's introduction. Uma Anand (Chetan's better half) was with us in school — we were together. Chetan had been educating at The Doon School and got to me through my sibling.".

After Neecha Nagar, she got back to Lahore, however offers began coming in, thus she used to come for shooting from Lahore. After her abrupt marriage in 1947, she got comfortable Bombay with her better half. She turned into the principal driving courageous woman to keep filling in as lead film champion after her marriage too. Kamini was quite possibly the earliest accomplished courageous woman (BA in English) in Hindi cinema.[7] She learnt Bharatnatyam at Mumbai's Sri Rajarajeswari Bharata Natya Kala Mandir, where Master T. K. Mahalingam Pillai, doyen among nattuvanars taught.[8] Starting around 1948, Kamini Kaushal worked with every one of the top driving men of her time, like Ashok Kumar, Raj Kapoor, Dev Anand, Raaj Kumar and Dilip Kumar.

In each film featuring her as lead courageous woman, with the exception of when inverse Ashok Kumar, in the period 1947 to 1955, her name used to show up first in quite a while before the main legend's name showed up. Her matching inverse Dilip Kumar was famous with crowds with film industry hits like Shaheed (1948), Pugree, Nadiya Ke Paar (1949), Shabnam (1949) and Arzoo (1950)).[9] The notoriety as an entertainer expanded with Filmistan's Do Bhai (1947), helped by Geeta Roy's enthusiastic singing of melodies, for example, "Mera sundar sapna", which, as it turns out, was shot in a solitary take. Kamini was matched inverse Dev Anand in his absolute first achievement, Bombay Talkies' creation Ziddi (1948), a light sentiment. The pair followed this up with Namoona. Kamini played the third point to the Dev-Suraiya pair in Shayar. In Raj Kapoor's first time at the helm Aag (1948), she did an appearance as one of his three champions (Nargis and Nigar were the other two), whose relationship with the legend doesn't fructify. She likewise featured with Raj Kapoor in Prison Yatra.

Kamini Kaushal was the very first lead courageous woman for whom Lata Mangeshkar sang for and it was for the film Ziddi in 1948. Kamini cited in a meeting: "Lata sang for me in Ziddi interestingly. That was whenever she first sang for the main woman in a film. Before that, she sang for entertainers in supporting jobs. Shamshad Begum and Surinder Kaur — whose voices had more bass — used to sing my tunes. On the music credits on the record, Lata's name was not referenced. All things being equal, it was referenced that Asha sang the tunes — Asha was my screen name (in the film Ziddi). That is the reason individuals thought I had sung it. The playback vocalists - Kishore Kumar and Lata Mangeshkar recorded their most memorable two part harmony - "Ye Kaun Aya Re" together in the 1948 film Ziddi.

Her other effective movies as lead champion in films from 1946 to 1963 incorporate Paras (1949), Namoona, Jhanjar, Aabru, Night Club, Jailor, Bade Sarkar, Bada Bhai, Poonam and Godaan. Kamini turned into a maker and endorsed on then-early showing symbol Ashok Kumar in Poonam and Night Club. She did cheerful jobs in Chalis Baba Ek Chor (1954) and furthermore did serious misfortune classification jobs in Aas, Ansoo and Jailor. In the Sohrab Modi-coordinated Jailor (1958), Kamini gave a goosebump-raising execution as Modi's better half, who is moved towards infidelity by his merciless oppression. Trilok Jetley, who embraced Premchand's renowned story Godaan on screen, put his film on pause, while Kamini was pregnant with her subsequent kid, since he needed to exploit the delicate quality in her voice. Pandit Ravi Shankar made the score for her first (Neecha Nagar in 1946) and last (Godaan in 1963) films as a courageous woman.

Picture of Kamini Kaushal in 1949

In 1965, she moved to playing character jobs with a film called Shaheed. She made the change from playing driving courageous woman jobs to character jobs without any problem. Her exhibitions were valued in Waris, Vishwas, Yakeen, Aadmi Aur Insaan, Uphaar, Qaid, Bhanwar, Tangewala and Heeralaal Pannalaal. As a person craftsman she was an installation in seven Manoj Kumar films - Shaheed, Upkar, Purab Aur Paschim, Sanyasi, Shor, Roti Kapda Aur Makaan, Dus Numbari and Santosh (1989). Kaushal has had a long stretch in films with discharges till 2014.She shocked crowds by playing a soldier of fortune vamp easily in the film Anhonee (1973).[7] Kamini Kaushal played mother to Rajesh Khanna in Prem Nagar in 1974, and in Maha Chor in 1976, and as sister by marriage to Khanna in Do Raaste.

Dilip Kumar, in his account, has conceded his appreciation for her while they acted in films together, yet Kamini dismissed his proposition as she was at that point wedded to her senior sister's single man and was dealing with her senior sister's kids.Dilip said that she was his most memorable love. Kamini cited in a meeting on this: "We were both broken. We were extremely content with one another. We shared an extraordinary compatibility. Yet, what to do? Such is reality. I can't dump individuals and say 'Enough currently, I'm going!' I had taken on the young ladies. I wouldn't have the option to show my face to my sister. My significant other, a fine person, comprehended the reason why it worked out. Everybody experiences passionate feelings."

She made a well known manikin show broadcast on the public channel at that point, "Doordarshan", which ran for a year (1989 to 1991), and was the main such kids' series in Hindi. She ventured into composing youngsters' accounts. Her accounts used to be distributed in the youngsters' magazine Paraag, highlighting the tricks of 'Bunty', and 'Chotbhai' and 'Motabhai' - who were all approximately founded on her own child and his cousin counterparts. She fiddled with TV doing serials like Chand Sitare on Doordarshan. In 1986, Kaushal made a movement film, Meri Pari.

She showed up in The Gem in the Crown (1984), a well known English TV sequential, as Auntie Shalini.

Kaushal worked in the profoundly famous sequential Shanno Ki Shaadi, on StarPlus. She played Bebe, the grandma of Shanno, the primary hero played by Divya Dutta. She likewise acted in Sri Adhikari Siblings' television Sequential Waqt Ki Raftaar (DD Public).

She said in a meeting: "I, alongside just barely any Indian courageous women like Saroja Devi, Bhanumathi Ramakrishna, Sowcar Janaki, Mala Sinha, Moushumi Chatterjee, Padmini and Sharmila Tagore were the rare sorts of people who got hitched early and had outcome in the entertainment world even after our relationships as well as had a blissful hitched existence."

She played lead courageous woman in films from 1946 to 1963, wherein her parts in Do Bhai (1947), Shaheed (1948), Nadiya Ke Paar (1948), Ziddi (1948), Shabnam (1949), Paras (1949), Namoona (1949), Arzoo (1950), Jhanjar (1953), Aabroo (1956), Bade Sarkar (1957), Jailor (1958), Club (1958) and Godaan (1963) are viewed as her vocation's best exhibitions. She played character jobs beginning around 1963, and was widely praised for her exhibition in Shaheed (1965). She showed up in three of Rajesh Khanna's movies, to be specific Do Raaste (1969), Prem Nagar (1974), Maha Chor (1976), in Anhonee (1973) with Sanjeev Kumar and in eight movies with Manoj Kumar in particular Shaheed, Upkar (1967), Purab Aur Paschim (1970), Shor (1972), Roti Kapda Aur Makaan (1974), Sanyasi (1975), Dus Numbri (1976) and Santosh (1989). During the 2010s, she took brief yet commended supporting jobs in the activity parody Chennai Express (2013) and the heartfelt show Kabir Singh (2019), the two of which rank among the most elevated netting Indian movies.

Year	Title
1946	Neecha Nagar
1947	Jail Yatra
	Do Bhai
1948	Aag
	Shaheed
	Pugree
	Nadiya Ke Par
1949	Ziddi
	Shair
	Shabnam
	Rakhi
	Paras
	Namoona
1950	Arzoo
1951	Bikhre Moti
1952	Poonam
1953	Shahenshah
	Raja Ratan
	Aansoon
	Aas
1954	Chalis Baba Ek Chor
	Biraj Bahu
	Sangam
	Radha Krishna
1956	Aabru
1957	Bade Sarkar
	Bada Bhai
1958	Night Club
	Jailor
	Great Show of India
1959	Bank Manager
1963	Go Daan
1965	Shaheed
	Janam Janam Ke Saathi
	Bheegi Raat
1967	Upkaar
1968	Aanchal Ke Phool
1969	Vishwaas
	Meri Bhabhi
	Ek Shriman Ek Shrimati
	Aadmi Aur Insaan
	Do Raaste
	Waris
	Beti
	Yakeen
1970	Yaadgaar
	Purab Aur Paschim
	Ishq Par Zor Nahin
	Heer Raanjha
	Dharti
1971	Uphaar
	Bikhre Moti
1972	Tangewala
	Shor
	Haar Jeet
1973	Ek Mutthi Aasmaan
	Anhonee
1974	Roti Kapda Aur Makaan
	Prem Nagar
1975	Do Jhoot
	Sanyasi
	Qaid
	Apne Rang Hazaar
1976	Nehle Pe Dehla
	Maha Chor
	Kabeela
	Dus Numbri
	Bhanwar
1977	Chandi Sona
	Gyanji
1978	Swarg Narak
	Rahu Ketu
	Heeralal Pannalal
	Dil Aur Deewaar
	Ahutee
1979	Bagula Bhagat
	Ahinsa
1980	Takkar
	Do Shatru
1984
1987	Jalwa
	Gulami Ki Zanjeerain
1989	Santosh
1991	Deshwasi
1992	Hamshakal
1993	Gumrah
1990s	Children series for Doordarshan
2000	Har Dil Jo Pyar Karega
2003	Chori Chori
	Hawayein
2007	Laaga Chunari Mein Daag
2013	Chennai Express
2019	Kabir Singh
2022	Laal Singh Chaddha