Shakti Kapoor became the villain by doing the most rape scenes, the censor board was also surprised to see this one film.सबसे ज्यादा रेप सीन कर शक्ति कपूर बने थे विलेन, इस एक फिल्म को देखकर सेंसर बोर्ड भी रह गया था हैरान

 

Nargis

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Nargis Dutt (conceived Fatima Rashid; 1 June 1929 - 3 May 1981) was an Indian entertainer and legislator who worked in Hindi film. Viewed as perhaps of the best entertainer throughout the entire existence of Indian film, she made her screen debut in a minor job at five years old with Talash-E-Haq (1935), yet her acting profession really started with the film Tamanna (1942).

In a vocation that spread over thirty years, Nargis showed up in various economically fruitful as well as widely praised films, a considerable lot of which highlighted her close by entertainer Raj Kapoor. Her most popular job was that of Radha in the Foundation Grant selected Mother India (1957), an exhibition that won her the Filmfare Grant for Best Actress.She would show up rarely in films during the 1960s. A portion of her movies of this period incorporate the show Raat Aur Noise (1967), for which she got the debut Public Film Grant for Best Entertainer.

Nargis wedded her Mom India co-star Sunil Dutt in 1958. Together they had three youngsters, including the entertainer Sanjay Dutt. Alongside her better half, Nargis shaped the Ajanta Expressions Culture Company which recruited a few driving entertainers and vocalists of the time and held stage shows at line regions. In the mid 1970s, Nargis turned into the main supporter of The Spastic Culture of India and her resulting work with the association brought her acknowledgment as a social specialist and later a Rajya Sabha selection in 1980.

Nargis passed on in 1981 of pancreatic disease, just a brief time before her child Sanjay Dutt made his presentation in Hindi movies with the film Rocky.[7] In 1982, the Nargis Dutt Remembrance Malignant growth Establishment was laid out in her memory. The honor for Best Component Film on Public Mix in the Yearly Film Grants function is known as the Nargis Dutt Grant in her honor.

Early life

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 Nargis was brought into the world on 1 June 1929 as Fatima Rashid in Calcutta, Bengal Administration, English India (presently Kolkata, West Bengal, India) into a Punjabi Muslim family. Her dad Abdul Rashid, previously Mohanchand Uttamchand Tyagi ("Mohan Babu"), was initially a rich Punjabi Hindu successor to the Mohyal Brahmin rank from Rawalpindi who had switched over completely to Islam. Her mom was Jaddanbai Hussain, from Benares City, Benares State, who was naturally introduced to a Muslim group of Hindu Brahmin beginning which had changed over completely to Islam; and was a Hindustani traditional music vocalist and one of the early trailblazers of Indian film. Nargis' family then moved from Punjab to Allahabad, Joined Regions of Agra and Oudh, prior to getting comfortable Calcutta, Bengal Presidency.[citation needed] She brought Nargis into the film culture unfurling in India at that point. Nargis' maternal stepbrother, Anwar Hussain, was likewise a film entertainer.

Profession

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 Fatima made her most memorable film appearance in the 1935 film Talashe Haq when she was six years of age, credited as Child Nargis. Nargis (نرگس [ˈnərɡɪs]) is a Persian word meaning Narcissus, the daffodil bloom. She was in this way credited as Nargis in every last bit of her movies.

Nargis showed up in various movies after her presentation. In 1943 at 14 years old, she showed up in Mehboob Khan's Taqdeer, inverse Motilal.The film was a film industry achievement, and she was broadly lauded for her exhibition. Filmindia alluded to it as "a great debut".[citation needed]

Following Taqdeer, Nargis featured in the 1945 period show Humayun, inverse the main entertainer of those times, Ashok Kumar. The film was tolerably effective. Among her initial deliveries were Mela, Anokha Pyar and Aag all in 1948. The previous two featured her with Dilip Kumar and the last option denoted her most memorable joint effort with Raj Kapoor. But Mela, which was among the most elevated netting movies of that year, none of her film fared well in 1948.

Representation of Nargis from Jan Pahechan

In 1949, Nargis featured in Mehboob Khan's widely praised show Andaz. The film saw her playing Neena, whose spouse Rajan (Raj Kapoor) suspects of her engaging in extramarital relations with her companion Dilip (Dilip Kumar). It had a sluggish beginning in the cinema world, however when positive verbal exchange spread, it arose as a significant business achievement and the most elevated earning movie of all time.The movie was first hit in Kapoor's profession, and a leap forward for Nargis and Kumar.[citation needed] After the progress of the film, Kapoor cast her again as a main woman in his second executive endeavor after the fruitless Aag (1948).

This endeavor of Kapoor's was delivered around the same time, featuring Nargis as a town beauty and him featuring as a writer. It was named Barsaat. The film was the presentation of Nimmi, who might later turn into a notable entertainer. Its delivery was at that point advertised because of the colossal outcome of Andaz, and accordingly it turned into another significant film industry achievement. Barsaat was the most noteworthy netting film of 1949, as well as ever, breaking the record of Andaz.

Then, Nargis played the lead jobs in 1950 movies Jogan and Babul, alongside Dilip Kumar. The two of them were film industry hits and her performance in Babul was exceptionally taken note.

Because of the progress of Andaz and Barsaat, Raj Kapoor was intrigued by Nargis' onscreen appeal and presence. He consequently picked her to play a person in Awaara (1951) (frequently composed as Awāra). In spite of the fact that it rotated around a dad and his alienated child, Nargis assumed a significant part in the film as a legal counselor who knows reality that Raj (played by Kapoor) and Raghunath (played by Prithviraj Kapoor) are child father. Dissimilar to the jobs played by different entertainers of those times, Nargis depicted a blunt lady legal counselor who censures individuals who see lady as a "thing made for family tasks". She was likewise seen wearing a swimwear in a scene from Awaara, a very striking dress for Indian lady to wear in that time. The film was delivered on 14 December 1951, getting widespread approval for the exhibitions of Prithviraj, Raj and Nargis. Not just in India, the film was a blockbuster abroad as well, spreading the word about Nargis and Raj well stars in nations like Greece and the US. Earning ₹12.5 million in India, it turned into the most noteworthy netting film ever, breaking the record of Barsaat. Deedar, delivered around the same time was one more hit in Nargis' filmography

She was matched inverse Trilok Kapoor, uncle of Raj Kapoor, in Pyar Ki Baatein coordinated by her senior sibling Akhtar Hussain.

Nargis' movies delivered somewhere in the range of 1952 and 1954 didn't perform well, neither basically and commercially.[23] In 1952, she had upwards of six deliveries, just Anhonee being a triumph. 1953 and 1954 saw her completing five movies, not a single one of them a film industry hit. In any case, her 1953 film Aah has acquired a religion status over the years.Nargis resuscitated her vocation with Raj Kapoor's social show Shree 420 (1955) which turned into the most noteworthy grosser at that point.

Nargis with entertainers Raj Kapoor and Dilip Kumar in a scene from their 1949 film Andaz

Nargis and Raj Kapoor acted together in 16 movies traversing over a time of 10 years, including Awaara, Shree 420, Jagte Raho (appearance), Andaz, Chori, Aah, Aag and Barsaat. Their most memorable film together was Aag in 1948. Aag was not a business achievement, Aah's income were normal, however others were financially fruitful. Melodies from these films including them have developed to become noteworthy. A few models are "Barsat mein humse mile" and "Jiya beqarar hai" (in Barsaat); "Dam bhar jo udhar munh phere" and "Ghar aaya mera pardesi" (in Awaara); "Hoax gayi raat aayi", "Ichak dana beechak dana" and "Pyar ha ikraar hua" (in Shree 420); and "Pancchi banoon udti phiroon", "Aa ja sanam madhur chandni mein", and "Yeh raat bheegi" (in Chori Chori).Their work in Awaara put the couple on the map internationally,particularly in the Soviet Association, where the film was named in Russian and delivered as Brodiaga.

She by and by teamed up with Kapoor for the movies achievement Chori (1956), which spins around a young lady (Nargis) who takes off from her home to wed a gold digger pilot (Pran), yet winds up succumbing to a journalist (Kapoor) whom she meets in a transport. Around the same time, she did an extraordinary appearance in Kapoor's Jagte Raho. The film was her last to co-star Raj Kapoor.

In 1957, she showed up in Mehboob Khan's Oscar-named awe-inspiring dramatization Mother India, for which she won the Filmfare Grant for Best Entertainer for her exhibition. Baburao Patel of the film magazine, Filmindia, in December 1957, portrayed Mother India as "the best picture delivered in India" and composed that no other entertainer would have had the option to play out the job as well as Nargis. Additionally in 1957, she acted in the Pardesi (advertised as Excursion Past Three Oceans in English), which was an Indo-Soviet co-creation. After her union with Sunil Dutt in 1958, Nargis surrendered her movie profession to settle down with her family, after her last couple of movies were delivered.

She made her last film appearance in the 1967 film Raat Aur Clamor, being persuaded to act following fifteen years. The film was generally welcomed and Nargis' exhibition as a dissociative lady character jumble was widely praised. For her presentation in the film, she got a designation for the Filmfare Grant for Best Entertainer, and won the debut Public Film Grant for Best Entertainer.

She was likewise named to the Rajya Sabha (upper place of Indian Parliament) from 1980 to 1981, yet because of disease she became sick and passed on during her residency.

Individual life

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Nargis made some lengthy memories relationship with entertainer Raj Kapoor, who was her co-star in the movies Awaara and Shree 420. Raj Kapoor was hitched and had kids. After he wouldn't separate from his significant other, Nargis cut off their nine-drawn out friendship.

Nargis wedded entertainer Sunil Dutt; who was a Hindu, likewise of Punjabi Mohyal plunge, on 11 Walk 1958. Purportedly, Dutt had saved her life from a fire on the arrangements of Mother India. She had also apparently helped Dutt's sister and mother.She switched over completely to Hinduism on her marriage.They had three kids: Sanjay Dutt, Namrata Dutt, and Priya Dutt.

Sanjay proceeded to turn into a fruitful film entertainer. Namrata wedded entertainer Kumar Gaurav, child of veteran entertainer Rajendra Kumar who had showed up close by Nargis and Sunil Dutt in Mother India. Priya turned into a lawmaker and an Individual from Parliament (Lok Sabha).

With her better half, Nargis shaped the Ajanta Expressions Social Company, which included a few driving entertainers and vocalists of the time, and performed at far off wildernesses to engage the Indian troopers at line. It was the principal group to act in Dhaka, after the freedom battle of Bangladesh in 1971. Afterward, Nargis worked for the reason for spastic youngsters. She turned into the primary supporter of the Spastics Society of India. Her beneficent work for the association gained her appreciation as a social laborer.

Nargis adored wearing white saris, talking via phone and eating panipuris sold in the city. She was an incredible swimmer and delighted in playing cricket with her siblings. The pioneer behind the Spastic Culture of India, Mithu Alur, expressed in a meeting that Nargis had a fantasy about seeking after medication that she would never satisfy.

On 2 August 1980, Nargis became sick during a meeting of the Rajya Sabha, with the underlying reason thought to be jaundice. She was surged home and owned up to Penetrate Treats Emergency clinic in Bombay. Following fifteen days of tests, during which her condition continued to decline and she quickly shed pounds, she was determined to have pancreatic malignant growth in 1980 and went through therapy for the illness at Remembrance Sloan-Kettering Disease Center in New York City.

Upon her re-visitation of India, her condition crumbled and she was conceded at Break Treats Medical clinic. Nargis went into a state of extreme lethargy on 2 May 1981 after she turned out to be truly sick and kicked the bucket the following day, matured 51. She was covered at Bada Qabrastan Mumbai. On 7 May 1981, at the debut of her child's presentation film Rough, one seat was kept empty for her.

One year after her demise, the Nargis Dutt Commemoration Malignant growth Establishment was laid out by Sunil Dutt in her memory.Although Nargis' passing is credited to pancreatic disease, her little girl, Namrata Dutt Kumar, guaranteed her mom had effectively battled the disease however kicked the bucket from a urinary lot contamination. Nargis' child, Sanjay Dutt, added that her brought down invulnerability levels made her defenseless to the contamination.

     

 filmography

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Year	Title	Role	Notes
1935	Talashe Haq	Razia	Film debut; credited as "Baby Rani"
1936	Madam Fashion	Child artist
1937	Moti Ka Haar	Child artist
1942	Pardanasheen	Child artist	Last film as "Baby Rani"
1943	Taqdeer	Shyama	First film as a lead actress
1944	Anban	Malti
1945	Humayun	Hamida Bano
	Bisvi Sadi	Veena
	Ramayani	Sita
1946	Nargis	Shanti
1947	Mehndi
	Romeo & Juliet	Juliet
1948	Aag	Nimmi	First film to co-star Raj Kapoor
	Mela	Manju
	Anjuman
	Anokha Pyar	Geeta
	Aaj Ka Farhad	Asha / Shirin
1949	Roomal
	Lahore	Leelo
	Darogaji	Rajni / Raju
	Andaz	Neena	Widely considered to be her breakthrough role
	Barsaat	Reshma
1950	Pyaar	Rani
	Meena Bazaar	Radha
	Khel
	Jogan	Surbhi / Meeradevi
	Jan Pahechan	Asha
	Choti Bhabhi
	Babul	Bela
	Aadhi Raat
1951	Saagar	Pali
	Pyar Ki Baaten	Nadira
	Hulchul	Asha
	Deedar	Mala
	Awaara	Rita
1952	Sheesha
	Bewafa	Roopa
	Aashiana	Gaura
	Anhonee	Roop / Mohinibai
	Amber	Princess Amber
1953	Pehli Shadi
	Papi	Lacchi
	Dhoon	Kamini
	Aah	Neelu / Chandra / Reshma
1954	Angarey	Simsi
1955	Shree 420	Vidya
1956	Chori Chori	Kammo
	Jagte Raho	Unknown	Cameo appearance; last film to co-star Raj Kapoor
1957	Mother India	Radha	Won - Filmfare Award for Best Actress
	Pardesi	Champa
	Miss India	Rama
1958	Adalat	Nirmala
	Lajwanti	Kavita
	Ghar Sansar	Uma
1960	Kala Bazar	Unknown	Cameo appearance
1964	Yaadein	Anil's Wife	Cameo appearance
1967	Raat Aur Din	Varuna / Peggy	Won - National Film Award for Best Actress
1968	Tosa Oneira Stous Dromous